The senior acting company turns from farce to drama, deviating from social propriety in the premiere performance of “Hedda Gabler” on Saturday, March 10.
This performance beautifully, yet passionately breaks away from the rapid pace of the company’s previous production leading the audience on a transient exploration of society as only Henrik Ibsen, the “Father of Modern Drama,” can do elevated by the inspiring direction of David Bassuk.
The play – written in 1890 – has far more of a 20th century ambiance in the style of the costumes, mannerisms, and music. This modern yet historical update allowed for a better understanding of the play for a contemporary audience coupled with impassioned performances – especially Claire Jamison’s vibrant yet troubled Hedda. Much was left to inference and the imagination of the audience member. This was done in such a skillful way that one remained captivated in the message of the plot.
This play exemplifies Ibsen’s characteristic drama – the idea that one continues on in life missing out on its essence and simply plodding along in a “living death.” The idea of a “living death” catalyses Hedda, driven by her emptiness, to attempt to change other people’s fates in an effort to achieve her own independence. “Hedda Gabler” is a work examining modern society’s faults and moral scruples.
The play is rather slow-paced, and sometimes leads into a dream-like state between scenes. It shows the urge to live life outside of societal norms, not bombarded by common standards but rather elevated by beauty. However, this desire can appear to be tragic or even self-righteous. There is an escape from what Hedda considers to be base and sullied in life to be reborn with “vines in [her] his hair.”
As Bassuk quoted Ibsen, referring to the character of Hedda, in his director’s note, “Life is not tragic. Life is ridiculous. And that cannot be borne.”
The play, staged at the Performing Arts Center can be seen tonight at 7:30 p.m. and on tomorrow at 1:30 p.m., followed by a talk-back session with the cast. Tickets to both performances are available for $5 to students, faculty and staff with valid ID cards.
See our review of “The Devil Inside,” the other play staged by the senior company this week, here.